For readers keen to flee their humdrum existence through fiction immersed in magic, mysticism and fantasy, The Palace of Illusions is certain to please. Impressed by historical Indian legends hailing from the Third Age of Man, storyteller Chitra Banerjee Divakaruni has forged her heroine Panchaali in flesh, blood and hearth, a lady poised on the epicenter of historical past, by no means to be upstaged by her male counterparts, be they fathers or brothers, lovers, husbands or pals.
Whereas the epic poem “Mahabharat” was an inspiration for The Palace of Illusions, Divakaruni was decided that the ladies inhabiting her novel wouldn’t be content material to linger within the periphery of a person’s world, as they did within the authentic work. Thus, Panchaali was born, and in Divakaruni’s deft palms, illuminates a story of what may maybe finest be described because the Armageddon of in-law issues: being married to 5 males, the highly effective Pandav princes.
Though the novel is about someday between 6000 BCE and 5000 BCE, the myriad quagmires sinking at present’s marriages aren’t unknown to Panchaali, a passionate princess who, like many up to date ladies, is torn between time-honored traditions and an unbiased spirit. As Panchaali ponders divine knowledge, she struggles to reconcile what she has been instructed by her elders with what her coronary heart is aware of to be true. Regardless of being burdened by the matrimonial albatross of 5 husbands, Panchaali isn’t any man-hater, and quite the opposite, finds the ladies in her life to be equally, if no more tough, to appease, and above all, to belief.
Divakaruni has woven a lyrical story imbued with the scent of historical incense, but concurrently rooted in modern-day relevancy. Brimming with betrayals, non secular fervor and war-torn streets, The Palace of Illusions is a journey skilled from the vantage level of Panchaali, a robust lady pushed by love, honor and, in the long run, a destiny that unfolds regardless of her resolve.
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